In 1998, Time magazine named Stravinsky one of the 100 most influential people of the century.īiography Early life, 1882–1901 Additionally, Stravinsky received five Grammy Awards and eleven total nominations, and in 1987, he was posthumously awarded the Grammy Lifetime Achievement Award. Marc Blitzstein wrote that Stravinsky was just "not great enough," and Constant Lambert described L'Histoire du soldat as having "the drabbest and least significant phrases." Nonetheless, Stravinsky received many honours, including the Royal Philharmonic Society's gold medal, the Léonie Sonning Music Prize, the Wihuri Sibelius Prize, and the Portuguese Military Order of Saint James of the Sword. On the contrary, musicologist Virgil Thomson criticized the vast differences between Stravinsky's earlier and later works, while some criticized the content of his works themselves. Composer Philip Glass wrote in 1998 that, "There is not a composer who lived during his time or is alive today who was not touched, and sometimes transformed, by his work." Aaron Copland was heavily influenced by Stravinsky's rhythm and vitality. Stravinsky was one of the most important composers of the 20th century. Stravinsky was a devout member of the Russian Orthodox Church for most of his life, believing that his musical talent was a gift from God. In addition, Stravinsky often performed in public, touring across the world in the later part of his life. His students included Robert Strassburg in the 1940s and Robert Craft and Warren Zevon in the 1960s. Auden, George Balanchine, and André Gide. Stravinsky explored many kinds of art and collaborated with numerous different artists throughout his career, including Pablo Picasso, Jean Cocteau, W. Additionally, Stravinsky used sacred themes in works like Threni (1958) and The Flood (1962). In Memoriam Dylan Thomas (1954) was the first of his compositions to be fully based on the technique, and Canticum Sacrum (1956) was his first to be based on a tone row. In his serial period, Stravinsky turned towards compositional techniques from the Second Viennese School like Arnold Schoenberg's twelve-tone technique. His neoclassical period exhibited themes and techniques from the classical period, like the use of the sonata form in his Octet (1923) and use of Greek mythological themes in works like Apollon musagète (1927), Oedipus rex (1927), and Persephone (1935). Stravinsky's Russian period was characterised by influence from other Russian composers like Rimsky-Korsakov, Lyadov, and Tcherepnin, and use of Russian folk songs and themes in works like The Nightingale (1914) and Les noces (1917). Stravinsky's compositional career is divided into three periods: his Russian period (1913–1920), his neoclassical period (1920–1951), and his serial period (1954–1968). In the following years, Diaghilev commissioned Stravinsky to write three ballets: The Firebird (1910), Petrushka (1911), and The Rite of Spring (1913), the last of which brought him international fame after the near-riot at the premiere and changed the way composers understood rhythmic structure. Attending the premiere of Stravinsky's Scherzo fantastique and Feu d'artifice in February 1909 was Russian impresario Sergei Diaghilev, who had just formed the Ballets Russes company. Stravinsky met Russian composer Nikolai Rimsky-Korsakov in 1902 and studied under him until his teacher's death in 1908. He is widely considered one of the most important and influential composers of the 20th century and a pivotal figure in modernist music for his approach to rhythm. Igor Fyodorovich Stravinsky (17 June 1882 – 6 April 1971) was a Russian composer, conductor, and pianist with citizenship in France (from 1934) and the United States (from 1945).
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